Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Come join our lovely little TMP family by picking three movies that fit the week's theme and telling everyone a bit about them!
So, I know there's one crime family that rules them all, but.... I haven't seen those movies. I KNOW I KNOW BAD DANIEL! But, I mean... there ARE other cinematic crime families, right?
...right?
Let's find out!
Animal Kingdom (David Michôd, 2010) J's mother just died from a drug overdose. So he calls the only family he has left, his aunt Janine. In staying with her and her brood of boys, he comes to learn there was a reason for his mother's estrangement from them: They're criminals, and Janine is the Don. Jacki Weaver got a WELL-deserved Oscar nomination for her sublimely pitched performance, but the entire cast (which includes Sullivan Stapleton, Ben Mendelsohn, Joel Edgerton, and Guy Pearce) is fantastic. Director Michôd takes the tension up past the breaking point nearly the whole way through, making for one intense, thrilling movie. Recently adapted into a TV show with Ellen Barkin as Janine.
Eastern Promises (David Cronenberg, 2007) Anna, a British-Russian nurse delivers a baby from a 14 year-old girl who then dies, leaving behind only a diary written in Russian. Through translating the diary, Anna comes to learn that the young woman was part of a sex-trafficking ring organized by a Russian mafia family. Unfortunately for her, said Russian mafia family knows that she knows, and is now threatening her life in the form of Nikolai (smokin' hot and Oscar-nominated Viggo Mortensen), the family's "cleaner" and pseudo-babysitter for the don's unstable son. Cronenberg takes to the mafia genre shockingly well, orchestrating some terrifically tense stand-offs between characters and winding a slightly sprawling story tight around his finger.
Goodfellas (Martin Scorsese, 1990) Based on the real-life story of Henry Hill, Martin Scorsese's magnum opus tracks Hill's life from his youth under the wing of local mafia don Paulie Cicero to his cocaine-fueled descent to the witness protection program three decades later. There's not a single false note in the whole thing, not one bad beat or wonky line reading. Every single scene sings. It's a classic - and one of my All-Time Favorites - for good reason.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three films that relate to the week's theme and telling us about them!
To all my fellow Jews out there, Happy New Year, and I hope your fast was easy. That's the short reason why this posting is a bit late and a bit short today. To everyone else, HAPPY FALL! My favorite season.
Anyway, let's get right down to it, shall we?
This month's All in the Family Edition of Thursday Movie Picks focuses on Adoptive/Foster Families. This is the long reason why this posting is a bit late and short today. This is one of those times where I have to page through all the movies I've seen (thank you, Letterboxd!) and see which ones fit the theme. I just couldn't think of any off the top of my head. And then of course, when I see one that fits, I smack myself and say, "DUH! How could I forget?!"
Animal Kingdom (David Michod, 2010) J's mother has died from a self-inflicted overdose. So he gets taken in by his grandmother, formerly estranged. There's a reason for that: Her sons Darren, Craig, and Pope are a bit of a criminal element. And the police are after them. This Australian family crime drama is a stunning exercise in tension, compelling from first frame to last.
Despicable Me (Pierre Coffin and Chris Renaud, 2010) Gru is just your average supervillain trying to put a dastardly plot into motion. His plot? To steal the moon. But after the Chinese shrink ray (an integral part of his plan, as you can guess) he stole gets stolen from him, he adopts three adorable orphan girls to enlist their help to get it back. But the little brats start to grow on him, and he ends up (SPOILER ALERT) adopting them for real. Adorable, hilarious animated film with great voice performances all around (especially from Julie Andrews, doing an impeccable German accent as Gru's impossible-to-please mother).
The Blind Side (John Lee Hancock, 2009) The heartwarming story of a good family of White Christian Saviours who adopt a big black boy not because his mother is a no-good drug addict who barely takes care of him, not solely out of the goodness of their hearts, but because he MIGHT be good at football. And, whaddya know, they just happen to be important people at a Southern private school with a good football team! Aw, I don't mean to be mean, really I don't. The Blind Side is a perfectly nice Lifetime movie that has born the brunt of some pretty harsh, although not entirely undeserved, criticism because it managed a Best Picture nomination. It may be sickly sweet and only competently made, but the performances of Sandra Bullock and Tim McGraw as the heads of the family in question are just complex enough to make it not entirely cringe-worthy. Not at all Oscar-worthy, least of all in 2009, but still.