Showing posts with label Beetlejuice. Show all posts
Showing posts with label Beetlejuice. Show all posts

Thursday, June 9, 2016

Thursday Movie Picks - Immortals

Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Take part in the fun by picking three movies that fit the week's theme and telling us about them - couldn't be easier!

What an interesting, tantalizingly vague topic for this week's Thursday Movie Picks! Immortals, huh? Like, gods? Or vampires? Or legends, who may die but will live forever in other ways?


Somehow, I managed to not quite go down any of those routes. Although I had initially wanted to be very cheeky and pick three movies with legendary actors playing legendary people (like, say, Lincoln, Amadeus, and Ali... not that it necessarily would have been those three exactly, but you get the idea), I decided against it because somehow, it just didn't feel quite right somehow. But still, I think these three fit the bill for this week quite nicely.

Death Becomes Her (Robert Zemeckis, 1992) What would you do if you had the opportunity to remain young forever, WITHOUT becoming a vampire? I don't know about you, but of the many, MANY things I would do, fight with my best frenemy about a wimpy, mustachioed Bruce Willis is not one of them. Oh, I kid, I kid. Willis is actually damn funny in this, as the man torn between Meryl Streep's actress Madeline Ashton and Goldie Hawn's author, both of whom have taken a potion provided by Isabella Rossellini (who else?) that provides eternal youth. This zany camp classic has aged remarkably well, and I'm not just talking about the groundbreaking visual effects. This gets to the heart of the love-hate relationships between women better than perhaps any other movie released in the modern era. It's also perfectly cast from top to bottom.

The Picture of Dorian Gray (Albert Lewin, 1945) Oscar Wilde's immortal story of a young man so beautiful that his portrait takes on all the rot of age and moral decay for him is far more tantalizing to read than to watch, but even this early filming of the tale gets at the horror of the story in ways the book does not. Hurd Hatfield is a perfect Dorian Gray, and Angela Lansbury is lovely as the gutter girl Sibyl Vane who may have stood a chance at stealing his heart, if it hadn't already turned black as pitch. Plus, the horrifying ending really exploits everything you can do with film, as pure a coup de cinéma as has ever existed.

Beetlejuice (Tim Burton, 1988) What? I had to throw in something remotely off-center! You can't deny that the "ghost with the most" isn't immortal - he's been around for over 600 years, and given the number on his ticket in the waiting room final scene, he's going to be around for a whole lot longer than that! So what if he's technically part of the after-life? He is living there, after all! Michael Keaton's performance as the titular "bio-exorcist" (a ghost who gets rid of the living) is one of the greatest comedic performances of all time, a hyper-committed work of near-insanity that creates a wholly original character out of nothing. There's nothing else like it. And come to think of it, there's nothing really like this movie, either. It's the ultimate horror-comedy, deliciously designed, perfectly cast (really, AMPAS, you couldn't find room at the Oscars for ONE of the film's magnificent Supporting Actresses?!?), and undoubtedly the work of an utterly singular director. It's a pity what Tim Burton has become over the past decade. The likelihood of getting something as fun as this from him again is LOW.