Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can play along by picking three movies that fit the week's theme and writing a bit about them - it's fun!
This week on Thursday Movie Picks, we are covering one of my favorite topics: Movies About Movies. It's always fun when Hollywood turns its lens on itself, allowing us to see the inner workings of how our favorite pieces of entertainment get made. Some of my favorite movies are about movies, but I've used them already for this series, so I decided to eschew those in favor of ones that I really like but haven't talked much about here.
Bowfinger (Frank Oz, 1999) Bobby Bowfinger is a movie producer who has finally saved up enough money to direct a film of his own - just north of $2,000! The only problem is, he needs a big company to handle the distribution. He gets one executive to agree, but only if he gets Kit Ramsey, the hottest action star around, to star. When that doesn't happen, Bobby decides to film the movie guerilla-style without Kit knowing. The problem is, Kit is already paranoid, and the film's alien invasion premise makes things worse, so he goes into hiding, forcing Bobby to hire a look-alike to finish the film. This very funny satire features Eddie Murphy as both Kit and his look-alike Jiff, Steve Martin as Bobby, and Heather Graham and Christine Baranski as two of the actresses working on the film. Bowfinger mostly forgotten now, which... honestly feels about right. It's not one of the greats. But it is REALLY funny, and more than worth a watch.
For Your Consideration (Christopher Guest, 2006) Leave it to Christopher Guest and his bitingly funny repertory troupe to make one of the most cutting satires about the film industry. No one is safe in this scathingly hilarious movie about a small, slightly overly self-important independent film that gets turned into the talk of the town because of one blogger's comment about it maybe being in the hunt for an Oscar. All the Guest regulars you know and love are there: Parker Posey is again a stand-out as the ambitious younger star on the rise, and Eugene Levy, Jane Lynch, Fred Willard, and John Michael Higgins reliably steal every scene they're in. But the genius Catherine O'Hara gives the performance of her career as the steadily working but un-famous character actress Marilyn Hack. She gives a completely vanity-free performance, exposing every nook and cranny of Marilyn's psyche as she is suddenly thrust into the spotlight. It's a brilliant performance in a killer movie.
Tropic Thunder (Ben Stiller, 2008) The novelty may have worn off a bit on this one, but I still laugh at pretty much anything, from Ben Stiller's maniacally committed action-hero posturing to Tom Cruise's delicious flights of fat-suited cursing to, above all, Robert Downey Jr.'s demented comic genius as an Australian method actor playing an African-American. Tropic Thunder may be a little bit stupid, but it's goddamned COMMITTED to it, and it plays like gangbusters for me, every single damn time.
Written for the blogathon hosted by Wandering Through the Shelves. Join us by picking three movies that fit the week's theme and telling us about them!
I LOVE science fiction, so this week was full of fun films to pick, even with the restriction of no space or aliens. These are all different interpretations of science fiction. (It's been a busy week and day, so that's as much of an intro as you're going to get.)
Melancholia (Lars von Trier, 2011) Okay, so this may be cheating a little, because the sci-fi is really only at the edges, but Melancholia is such a GORGEOUS film, and it uses its science fiction conceit (a planet, the titular Melancholia, is on a collision course with Earth) to explore depression in a way no film has done before or since. Featuring a career-best performance from Kirsten Dunst that justly won the Best Actress prize at Cannes, and another fantastic performance from von Trier muse Charlotte Gainsbourg. The best opening and closing scenes of any movie in recent memory. And the repeated use of Wagner's Tristan und Isolde, which features a minor chord repeated throughout that doesn't resolve until the very last note of the opera, is flat-out BRILLIANT. Bonus points for Udo Kier's hilarious minor role.
Minority Report (Steven Spielberg, 2002) For my money, Spielberg's greatest achievement of the 00s, Minority Report features some very cool, prescient special effects, great performances from Tom Cruise and Samantha Morton, and some of the coolest production design you'll see in a sci-fi film set in the not-too-distant future. The story is about a world in which crimes can be predicted by a set of three sibling "pre-cogs" who can see the future, and the policeman who hunts down the people who haven't yet committed the crime for which he's arresting them... until the pre-cogs announce he will kill someone. Of course it was written by Phillip K. Dick, and it's probably the best adaptation of one of the great author's works.
The Nutty Professor (Tom Shadyac, 1996) YES, THIS COUNTS. Eddie Murphy is a sweet, overweight scientist who concocts a weight loss formula which brings out his inner "Buddy Love" in this remake of the 60s Jerry Lewis picture (which I would have picked except I can't STAND Lewis in dork mode). Basically a comic spin on Jekyll & Hyde, The Nutty Professor is science fiction at its funniest. My family rented this one and were laughing so hard at the dinner scenes that we had to rewind and rewatch them. Murphy deserved an Oscar nomination for this, playing not only the titular Sherman Klump, but Klump's mother, father, brother, and grandmother, too, creating a whole family of comic genius. (Unfortunately, he was such a hit in all these roles that a sequel was made with more of them.)
