Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies (or TV shows, as the case may be) that fit the week's theme and writing a bit about them!
Let's get down to business (to defeat the huns). TV spies... GO!
Get Smart (1965-1970) Maybe my favorite "classic" TV show, I used to live for whenever this would show up on Nick at Nite or TV Land. Maxwell Smart is the most bumbling secret agent who ever lived, but he still has a job because somehow he always ends up saving the day. There are so many wonderful gadgets in this show (who doesn't want a shoe phone?), marking it as a near-perfect parody of the James Bond movie franchise. It's just goofy good fun, and when I'm feeling really down in the dumps, an episode of this will always set me right.
Alias (2001-2006) I was OBSESSED with this show when it started. Sidney Bristow is just a regular college student, approached by the CIA with a job as an agent. Her job? A field agent for a secret "black ops" division of the CIA known as SD-6. But she (stupidly) tells her boyfriend that she's a spy, and SD-6 kills him. She then finds out that not only is her father, Jack, also an agent for SD-6, but SD-6 isn't part of the CIA at all! So she becomes a double agent, working to destroy SD-6 from the inside. The action sequences on Alias were unlike anything seen on TV before at the time, and most of them still hold up, mostly because of the driving force of star Jennifer Garner (who has rarely been better). The plotting got WAY more convoluted down the line, but the action sequences and amazing cast (Victor Garber! Ron Rifkin! Michael Vartan! LENA OLIN!), not to mention Garner's mind-blowing array of disguises, keep it entertaining.
The Americans (2013-2018) This year, we said goodbye to the best series on TV (with an episode fittingly titled "START"). Matthew Rhys and Keri Russell are superb as married Russian spies living undercover as model American citizens.... they own their own business (a travel agency), they have two kids, they have a nice house in Fall's Church, VA... and their new neighbor across the street just so happens to be an FBI agent. At height of the Cold War. Amazingly suspenseful, the series revels in "old-school" spycraft and period trappings, but at its heart is the story of a marriage, and how secrets can unite and destroy us. For such a thrilling show, it's often very quiet, but that's part of what makes the show work - those quiet moments cause us to feel for these characters even more, so that when the suspense sequences come, we're even more invested and on the edge of our seats. Superb on every level, The Americans is required viewing.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can play along by picking three movies that fit the week's theme and telling us a bit about them - it's so easy!
Oof, you guys.
As if things weren't bad enough in the world, this week we have to pick movies based on TV series. While not ALL of them are disasters (Guy Ritchie's recent take on The Man From U.N.C.L.E. was perfect late-summer fun), pretty much all of the ones I can think of are.
With one notable exception.
What follows are, in order, a truly terrible adaptation that might as well not even be one, a pretty good adaptation that might as well not even be one, and quite possibly the greatest film adaptation of a TV show ever made.
Lost In Space (Stephen Hopkins, 1998) As a child of 14, I remember thinking this was fun, but certainly inferior to such classics of cinema as Independence Day. Time has NOT been kind to it. It's a low point for pretty much everyone involved, but thankfully (nearly) all of their careers suffered barely a bit. The set-up is exactly the same as the 60s TV series, but updated with a lot more serious action and big VFX set-pieces. As they did in the 90s. But in its quest to be a blockbuster, the film abandons all of the charm of the TV series, becoming just another generic sci-fi film. Trivia alert: This (of all things) was the movie that ended Titanic's 15-week reign at the top of the box office.
Get Smart (Peter Segal, 2008) Look: the original Get Smart TV series is one of my favorite shows of all time, and if I'm being honest, this movie is almost as funny as that series. But it's ONLY because of Steve Carell as bumbling secret agent Maxwell Smart, perfectly riding the tone set by the legendary Don Adams from the TV series. The rest of the movie, though, is boilerplate spy stuff, with decent support from Anne Hathaway, Dwayne Johnson, Alan Arkin, and Terence Stamp. In other words: This didn't have to be an adaptation of Get Smart. It could have just been a spy spoof with that cast going by completely different character names. Nonetheless, I still enjoy this movie. It still makes me laugh, despite the fact that everything it did, Spy has since done better.
In The Loop (Armando Iannucci, 2009) An extrapolation from his successful UK comedy series The Thick of It, Armando Iannucci's In The Loop is the best political satire in AGES. It also has the filthiest language ("Why don't I pop a jaunty little bonnet on your purview and ram it up your ass with a lubricated horse cock?"), the best one-liners ("Okay, fuckity-bye," "Kiss my sweaty balls, you fat fuck!"), and the single greatest, most hard-won punchline in recent years. Inimitable performances from Anna Chlumsky, Mimi Kennedy, James Gandolfini, David Rasche, and of course Peter Capaldi as Malcolm Tucker, the foulest mouth in the United Kingdom, make the already great script even better. What makes it such a brilliant adaptation is that it takes existing characters from a TV series and puts them on a much larger playing field while staying true to the feel of the series without feeling like a bunch of TV episodes stitched together (Sex and the City), a Very Special Episode (Veronica Mars), or like any other generic movie (Charlie's Angels). All of this feels completely true to the series that spawned it while also feeling like its own thing, which is difficult to do. Plus, it's GREAT on every single level.
