Written as part of the blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three films that fit the chosen theme and telling us about them!
This week's theme is... a bit weird. Work Place Movies. I mean, it's not really weird, but when I think of "Work place" as a main descriptor, I usually think of TV sitcoms like Fawlty Towers, the Mary Tyler Moore Show, NewsRadio, etc. But that's just me.
ANYWAY...
I think I picked three good ones this week. They all have something in common. Can you guess what it is?
The Shop Around the Corner (Ernst Lubitsch, 1940) This delightful adaptation of a play by Miklos Laszlo is one of Lubitsch's best - and that's saying something! Margaret Sullivan and James Stewart play co-workers at a gift shop in Budapest who kind of can't stand each other on the job... at the same time as they're falling for each other as "lonely hearts" pen pals! Of course, eventually they figure out who each other is, but the journey is really what makes this such a treat. The famed "Lubitsch touch" is in full display in this witty, perfectly-paced film. The cast is pure enjoyment (Frank Morgan as the shop proprietor and Joseph Schildkraut and Inez Courtney as other shopworkers), and it's perfectly staged - for proof, just watch my other picks, which steal scenes wholesale from this original, the ultimate workplace romance.
In The Good Old Summertime (Robert Z. Leonard, 1949) There's very little to improve upon in Shop Around the Corner, so MGM decided to add songs, Technicolor, and Judy Garland. And you know what? It almost works! Nearly as perfectly cast as the original (Buster Keaton, Spring Byington, and S.Z. Sakall fill out the shop staff, now a music shop in turn-of-the-century America), the only slight misstep is Van Johnson, who in some places comes off a bit too creepily cruel as opposed to lovably antagonistic. But nevertheless, the source material is so foolproof that he can't ruin it. Not one of MGM's best musicals, but this is still a very enjoyable film.
You've Got Mail (Nora Ephron, 1998) Leave it to Nora Ephron to update this story to the digital age, substituting chat rooms and email for lonely hearts letters and post office boxes (is this the original catfishing story?). Meg Ryan and Tom Hanks have the best chemistry of any central couple in these three films, but sadly the great supporting cast (which includes Dave Chappelle and Jean Stapleton) is pushed to the sidelines. But that's also a product of the biggest change to the source material: Instead of working in the same shop, our central couple work for competing businesses - she for a lovely independent bookstore, he for a corporate conglomerate - and they're both in relationships with slightly awful people. Of course, the fact that large corporate bookstores like Barnes & Noble are now going out of business as well as small independent shops dates this film even more than the dial-up tones and AOL screens, but Ryan and Hanks make it plenty worth watching.
BONUS PICKS
...okay, fine, those are all really one choice. So here's another just for kicks and giggles.
Wanted (Timur Bekmambetov, 2008) I know a lot of people don't like this movie, but I love it's energy and inventiveness and twisted sense of humor and Angelina Jolie and Morgan Freeman (and Chris Pratt in a supporting role). We get to follow poor, maladjusted office drone Wesley through two workplaces: his cubicle-filled corporate shithole and his newfound calling as part of a cadre of deadly assassins led by Freeman which includes Jolie's dead-sexy (and just plain deadly) Fox
What Women Want (Nancy Meyers, 2000) This may be underrated because of Mel Gibson's descent into madness/irrelevancy, but its actually a lot of fun. Mel is the king of male-directed T&A advertising, who gets looked over for a promotion in favor of - SHOCKER - a woman (Helen Hunt at her typical intelligent best). And then, he gets shocked by electricity and can hear women's inner thoughts. Hilarity and killer cameos from Marissa Tomei, Loretta Devine, Bette Midler, Sarah Paulson, and Delta Burke & Valerie Perrine (as the only two women to have absolutely no thoughts in their heads) ensue.
