Showing posts with label Monsoon Wedding. Show all posts
Showing posts with label Monsoon Wedding. Show all posts

Thursday, June 2, 2016

Thursday Movie Picks - Wedding Movies

Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join us in holy matrimony by picking three movies that fit the week's theme and writing a bit about them!
Hello, everyone! Love is in the air this week on Thursday Movie Picks, and, if you will, please indulge me a bit...

This week is Wedding Movies, and, well, my sister got married exactly one month ago. And despite the unseasonably cold, wet weather on the day of the wedding, it was a beautiful, beautiful day - she looked so beautiful and so happy, and I got unexpectedly choked up watching my parents walk her down the aisle. So please just indulge me for one second as I bask in the beauty just once more...


SO PRETTY!!

Okay, back to the matter at hand. Movies. About weddings.

This was tough because there are so many to choose from. So I wanted to do movies that I love that I haven't mentioned on the blog yet. I kinda hope it also coincides with movies no one else picks, but just know that if you haven't seen these yet, you probably should. To know them is to love them.

Well, except maybe the last one.

Monsoon Wedding (Mira Nair, 2001) There's something about traditional Indian weddings, isn't there? The pomp and circumstance, the tradition, the symbolism, the MONTHS-long preparation... it all really makes the day itself feel like a big event - a culmination as well as a kick-off. Which is appropriate, since a wedding is essentially the line between one's single life and one's married life, especially in the case of an arranged marriage, like the one at the center of Mira Nair's kaleidoscopic portrait of modern India. Joy, tears, fights... it's all here, and all so relatable. It is so deeply felt on the levels of film craft and performance that we feel so much for ever single character, no matter how little time we spend with them, or how little they speak. This is how you do a big ensemble family film.

Rachel Getting Married (Jonathan Demme, 2008) I have gotten into knock-down, drag-out fights about the quality of this one, so let me tell you right up front: I think Rachel Getting Married is a masterpiece. The family dynamics are so keenly observed - in Jenny Lumet's super-smart script, in Demme's unadorned direction, and in the incredibly astute performances. Anne Hathaway was robbed of an Oscar for her stunning, against-type work as Kym, a recovering addict on a weekend pass out of rehab for her sister's wedding. She's been away from her family for quite a while, but it doesn't take long for her to completely upend the delicate balance that has been built in her wake, and the long-held, deep resentment among various family members boils up at all the perfect (read: ABSOLUTE WORST) times. Rosemarie Dewitt is low-key brilliant as the titular bride, Bill Irwin and Debra Winger all kinds of wonderful as the divorced parents, one open-hearted and warm, the other closed-off and prickly, and then there's the always lovely Anna Deveare Smith as Dad's new wife, and the shockingly natural Tunde Adebimpe (lead singer of TV On the Radio) as the groom. Add in the ever-present musicians, and you have the perfect recipe for a delightful/awful wedding weekend. And the wedding, the centerpiece of the film, is just stunning: a swirling, deftly edited, wondrous piece of film that seemingly brings every character arc and plot turn to a close almost completely without dialogue. I love this movie so much, and even moreso after my sister's wedding, because now I know firsthand just how deeply true it all is.

The Wedding Date (Clare Kilner, 2005) I WARNED YOU. Remember that long-ago episode of Thursday Movie Picks where I picked three "Crappy Rom-Coms That I Love Anyway"? Well, this one almost made the cut. I mean, what's not to love about Debra Messing hiring Dermot Mulroney - the world's foremost male escort - to take to her sister Amy Adams's wedding? With Holland Taylor as her mother? Actually.... quite a lot. This is a preposterous, ridiculous movie, with characters constantly being in places they would never be doing things they would never do. But Messing and Mulroney are so goddamn charming that I kind of enjoy it anyway. Call this one a favorite Guilty Pleasure, while my other two picks are All-Time Favorites.