This week's Thursday Movie Picks theme is Teen Comedies. So many and yet so few to choose from!
Mean Girls (Mark Waters, 2004) This Tina Fey-scripted, Lindsay Lohan-starring film is now a bona fide classic, and thank God for that. It's one of the funniest, smartest, most rewatchable films of the '00s. The quotable lines are endless, the comic performances are iconic (Amy Poehler and Rachel McAdams - funniest mother-daughter pair ever?), and the visual gags are untoppable (THE BUS)! And it's also surprisingly resonant - check out what I wrote about it for The Film Experience's Hit Me With Your Best Shot series a while back. In a perfect world, this would have gotten Oscar noms for Fey's script as well as the performances of Rachel McAdams and/or Amanda Seyfried.
Dick (Andrew Fleming, 1999) If you haven't seen this, man are you in for a treat. The title refers, of course, to Richard "Tricky Dick" Nixon, 37th President of the United States. Betsy and Arlene (Kirsten Dunst and Michelle Williams, at their teenage best) are just two regular teenage girls in the 1970s, trying to win a date with
Whip It (Drew Barrymore, 2009) Okay this MIGHT be stretching it a bit, but Whip It is so good that I don't really care. Ellen Page is typically wonderful as the directionless teen Bliss, whose mother (Marcia Gay Harden) makes her compete in beauty pageants... because that's what you do in Texas when your mother is a former beauty queen. But one day, she and her best friend Pash go to check out this thing called Roller Derby, and Bliss is so excited by it that she tries out for a team - and makes it. And, as is typical in both teen flicks and sports flicks, she learns more about Who She Is and Becomes A Better Person in the process. Drew Barrymore directed this, and also features as Smashley Simpson, a member of Bliss's roller derby team, the Hurl Scouts - along with Kristen Wiig (Maggie Mayhem), Zoe Bell (Bloody Holly), Juliette Lewis (Iron Maven), and Ari Graynor (Eva Destruction). The film is alternately tough and sweet, just like its heroine, and it's good enough that it makes you wish Barrymore would hop back into the director's chair sometime soon.



