Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and writing a bit about them!
Growing up, my parents were pretty good, actually. Oh sure, they did some things that annoyed me and my sister, and they were hardly perfect people, but they were loving and caring and supportive and never treated us badly. So I don't really know from bad parents, but the movies sure have given us some monsters, haven't they?
Mommie Dearest (Frank Perry, 1981) Regardless of your feelings on Christina Crawford's memoir that inspired this Faye Dunaway-starrer, I think there's certainly enough evidence over the years that Joan Crawford was.... not a particularly nice person. To think that this transferred over to her parenting isn't much of a stretch, even if Christina's motives are a bit suspect and much of what she describes beggars belief. But regardless of your feelings on this film (I think it's not QUITE the camp masterpiece that I had been led to believe it was), you can't deny that Faye Dunaway gives a tremendous, ferociously committed performance as Joan (or Christina's version of Joan).
Happiness (Todd Solondz, 1998) If you've not seen Happiness, I'm sure as hell not going to spoil it for you, except to say that it's quite brilliant, and that you'll never be able to look at Dylan Baker the same way again after watching it. More or less centering itself around the lives of the three Jordan sisters (Trish, Helen, and Joy) and their lives in a New Jersey suburb, Solondz puts his characters through the ringer, but somehow makes it really funny. Which can be a turn-off when dealing with such icky subjects as pedophilia, adultery, and depression, but it's done incredibly skillfully, and played by an absolutely tremendous cast.
Precious (Lee Daniels, 2009) In the annals of terrible movie mothers, Mary Jones has to rank at or near the top. A vicious predator who occasionally sees her own daughter, Claireece (the "Precious" of the title), as a threat, she is prone to lashing out violently. As long as no one's looking. But when social workers and government employees come around? She's just the nicest, most normal woman you ever did meet. Mo'Nique's justly Oscar-winning performance is astonishing to behold, as is Gabourey Sidibe's Oscar-nominated (and shoulda-been winning) performance as Precious. The film is occasionally harrowing, but thrives on showing how light can seep into even the darkest of places.
