Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can join in the fun by picking three movies that fit the week's topic and writing a bit about them. That's it! Couldn't be easier!
Oh dear. A big topic this week. Romance. I'm not even sure I know where to begin with this one. There have been so many wonderful romances of every possible stripe captured on film, how can I possibly pick just three?
I don't know.
But, I'm in a bit of a mood right now, so I'll just pick the first three that come to mind and feel right and pick those, I guess. Sound good? GOOD. Here we go!
Summertime (David Lean, 1955) A "spinster" secretary from Akron, OH finally gets the courage to take her dream summer vacation to Venice. But Venice is a city of lovers, and she is alone. But one day, she meets a swoon-worthy local who confesses his attraction to her, and convinces her to not give up on the possibility of happiness. So she gives in. But how will their romance turn out? I will not say, but for the fact that Summertime has one of my favorite endings of any film, thanks in large part to the power of Katharine Hepburn, giving one of her best performances. David Lean's shooting of Venice is like a dream, and Rossano Brazzi IS a dream as the Italian lover. Summertime is one of the most undersung movies in Lean's filmography (which also includes the tremendous Brief Encounter). Do yourself a favor and watch it.
Letters to Juliet (Gary Winick, 2010) In 1957, Claire Smith couldn't work up the courage to defy her parents and stay with her love in Italy. In desperation, and finding herself in Verona, she wrote a letter to the Shakespearean heroine Juliet, leaving it stuffed into the brick wall at the Casa di Giulietta, where Italian women serving as "Juliet's secretaries" take it upon themselves to write back to every letter left behind. But Claire's letter remains unseen for 50 years, until an enterprising young New Yorker magazine fact checker named Sophie, on "vacation" in Italy with her distracted chef boyfriend, finds it, and answers. Claire then comes to Italy - with her handsome grandson in tow - and Sophie uses her fact-checking skills to help her find the Lorenzo she left behind half a century ago. I'll be upfront: This is not anything more than an utterly average (if gorgeous-looking) movie, and even if the trailer didn't spoil it, you'd still know exactly what happens at every moment. BUT. Vanessa Redgrave plays Claire, and she is sheer perfection, creating a truly indelible, memorable woman out of a plot device. She's a wonder, and when she's onscreen, Letters to Juliet shines.
La La Land (Damien Chazelle, 2015) Mia, a struggling actress, meets Sebastian, a struggling jazz pianist, on one of the worst days of both of their lives. Then they meet again at a party, where they discover that they have incredible chemistry. But can two artists make it together in a world defined not just by dreams, but by settling for less than your dreams? Damien Chazelle's thoroughly modern yet utterly classic musical is a wonder in its best moments, when it completely embraces the medium of film and the possibilities of the musical genre. From the moment I realized the opening number was going to be done in a single take tracking shot, La La Land owned my heart and soul, and after seeing it three times in theaters, I still wasn't over it. It's a total sensory experience, and even if I can concede that it might get a little wonky there in the middle I wouldn't give up that dance among the stars, "Audition", or that gorgeous, dazzling, perfect epilogue/finale for anything.
SOOOOOOOO.... I saw these posts on Dell on Movies and Rambling Film and I thought to myself "Mt. Rushmore? OF MOVIES?? I MUST WRITE!" And then I realized I had only a day to decide on a topic and pick the ultimate FOREVER four. And such things are usually NOT easy.
But then I realized I had one. THE one. The one where I could pick the absolute indisputable four for ever and ever of all time to be carved in stone and displayed for the masses. So here we go:
THE MT. RUSHMORE OF MOVIES WHERE
THE ROMANTIC LEADS DON'T END UP TOGETHER
(aka, The Great Three-Hankie Weepies)
Casablanca (Michael Curtiz, 1942) That entire last scene at the airport is just beyond perfect: "...the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Here's looking at you kid." ...AND CUE TEARS.
Brief Encounter (David Lean, 1945) How cruel that these two don't even get a proper goodbye: "I must go." "Yes you must," and his hand on her shoulder. CURSE YOU, Dolly Messiter and your awful timing!
Shakespeare in Love (John Madden, 1998) Another absolutely perfect final scene: "You will never age for me, nor fade, nor die." "Write me well." And she lives on, as his heroine for all time. Glorious.
In the Mood for Love (Wong Kar-Wai, 2000) This one hurts differently than the others. This one hurts after our two lovers have taken their leave, as he whispers his secret love into a hole, covers it with mud, and leaves it there, never to be shared or spoken of again.
...no, YOU'RE crying! I just have a piece of grit in my eye...
