Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and writing a bit about them!
This week on Thursday Movie Picks, we're looking at movies with non-linear timelines. Time always moves forwards of course, but with film, we have the capability to rewind, fast forward, double back, start over... we can view a series of events in pretty much any way we want. And these movies take advantage of that.
Cloud Atlas (Wachowskis & Tom Tykwer, 2012) This wildly ambitious film, adapted from David Mitchell's Russian nesting doll of a novel, probably never should have been made. The book has such a literary conceit that it's nearly impossible to adapt to cinematic form, but God bless the Wachowskis and Tom Tykwer for trying. Whole long sections of this are just thrilling arias of pure cinematic expression, linking stories hundreds of years and thousands of miles apart by the elemental forces of human experiences. The overarching story (such as it is) is about the journey of a soul as it learns over the course of several lifetimes what it means to be good. The ensemble cast is full of some spotty performances (and some even spottier makeup), but Halle Berry, Doona Bae, and a near-unrecognizable Hugh Grant have never been better than they are in sections of this.
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) How this didn't win every single goddamn award walking away in 2004, I'll never know. It's a goddamn masterpiece, with career-best work from Kate Winslet, Jim Carrey, Charlie Kaufman, and Michel Gondry. Nothing I could write about it will ever top this that I wrote four years ago, so I won't even try.
The Rules of Attraction (Roger Avary, 2002) Oh those wild and crazy kids! What ever will they do to fuck themselves up next? This Bret Easton Ellis adaptation throws so much style at the wall to see what sticks, and a surprising amount of it does. Hopping back and forth between different attendees at a fateful college party and what led them to make the decisions they made there, we watch as teen heartthrobs Jessica Biel, James Van Der Beek, Ian Somerhalder, Kate Bosworth, and Kip Pardue do some VERY bad things, to themselves and to each other! The movie as a whole holds together only barely, but the best scenes (including a homoerotic bedroom dance/pillow fight to George Michael's "Faith", a rapid fast-forward through an entire vacation abroad, and one of the best, most effective suicide scenes ever put on film) really linger.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and writing a bit about them!
I had a hard time coming up with movies for this week's theme, nostalgia. I'm assuming we're talking movies ABOUT nostalgia, not movies that evoke a sense of nostalgia within us. Although even if it were the latter, I still might have trouble. But anyway, here's what I could come up with.
Peggy Sue Got Married (Francis Ford Coppola, 1986) Peggy Sue is pretty unhappy in her marriage, and at her high school reunion, she passes out and wakes up back in her senior year of high school. Is she really there? Is it a dream? Would she do anything differently? The major conflict of the film, beautifully acted by Kathleen Turner in the title role, is whether Peggy Sue's nostalgia will overcome her so much that she will make the same decisions and fall into old patterns, or if she will be bold and blaze a new path for herself. Viewing this movie now, I was somewhat unsatisfied with the ending, but upon reflection it's a bit more complicated than I initially gave it credit for. It probably doesn't help that Peggy Sue's beau is played by Nicolas Cage at his most grating (on purpose, but still). But the cinematography is gorgeous, and the cast is an embarrassment of riches: In addition to Turner, who is brilliant, there's Helen Hunt, Joan Allen, and Jim Carrey! Which brings us to...
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) Sometimes, you're not nostalgic for a time or place, so much as a person. The problem for Joel Barrish is that he realizes he's nostalgic for his ex-girlfriend Clementine while he's undergoing a procedure to have her erased from his memories. So he decides, along with the version of Clementine in his memories, to hide her. Charlie Kaufman's script is dazzling, and Michel Gondry's direction even more so, but the real draw here is the ensemble cast, especially the performances of Jim Carrey and Kate Winslet as Joel and Clementine. Carrey was never used better in a dramatic role, his expressive face getting quite the workout as Joel goes back into memories of being a small child. And Winslet's performance is even more mind-blowing when you realize that for most of the movie, she's not actually playing Clementine, but rather Joel's memory of her. It's an incredible film all around, probably the best film since the new millennium. Truly a work of staggering genius.
Midnight in Paris (Woody Allen, 2011) Owen Wilson is engaged to Rachel McAdams. The two of them are visiting Paris with her parents on a business trip. He's a writer, and is naturally taken with the historical city. But at midnight, when he's wandering about, he ends up in the 1920s, in the salons of some of the greatest artists of the 20th century. Will he try to stay in the earlier time period as he becomes more and more infatuated with it? I won't spoil that, but I absolutely will spoil some of the rogue's gallery of an ensemble, who are the true reason to see this lovely little film: Kathy Bates as Gertrude Stein, Adrien Brody as Salvador Dali, Tom Hiddleston and Allison Pill as the Fitzgeralds F. Scott and Zelda, Corey Stoll as Ernest Hemingway... Allen clearly had a blast writing for these characters, and the actors pay him back with all they've got. Unfortunately, the present day characters are pretty much insufferable. But that's not near enough to take the fizz out of this champagne cocktail of a movie.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join our little community of bloggers by picking three movies that fit with the week's theme and writing a bit about them. It's fun and easy - and 2018's schedule has been posted so you can prepare!
I'm back, y'all!
Work has been kicking my butt the past couple of weeks. Ever since Thanksgiving it's been non-stop - many late nights and some super-stressful days. It's been all I can do to get out and see some of the great movies flooding the cinemas of NYC right now. And, as always, there have been some that I've missed that have made me very sad. (If you're not following me on Letterboxd, please do so - I do keep track of everything I watch there, and usually post mini reviews.)
I was especially sad to miss last week's Thursday Movie Picks, because the theme was one of the great tropes of cinema: The Ugly Duckling Who Turns Into A Beautiful Swan. There are of course a wealth of options to choose from. My favorites (I can do this because this isn't an official TMP list!) are: The supreme Bette Davis weepie Now, Voyager; George Bernard Shaw's witty Pygmalion and it's musical version, My Fair Lady; Ingrid Bergman's second Oscar-winner, Anastasia; Baz Luhrmann's thrilling breakthrough Strictly Ballroom; '90s classic teen flick She's All That and its parody version, Not Another Teen Movie; the sweet Drew Barrymore comeback vehicle Never Been Kissed; Anne Hathaway's debut The Princess Diaries; the brilliant Neil LaBute stage play-turned-movie The Shape of Things; and the amazingly stupid-funny Anna Farris-starrer The House Bunny.
This week, we're looking at small towns. There ain't nothin' like a good old-fashioned small town, but the ones in these movies better watch out, because a change is a-comin'...
The Stepford Wives (Bryan Forbes, 1975) I feel obligated to include this one, as after college I moved back to my home state of CT and ended up living for a while in the town of Wilton, the inspiration for the novel by Ira Levin that inspired this iconic movie. I'm sure you all know the premise, but in case you don't, here goes: Photographer Joanna moves with her executive husband and two kids from New York City to the idyllic suburban town of Stepford, CT. Walter immediately joins the exclusive local Men's Association, but Joanna is spooked by the wives, who are all very submissive homemakers with few interests outside the home. She and her fellow new-in-town friend Bobbie investigate, and what they find... well, I'm certainly not going to spoil that if you don't already know! Just go with the flow and enjoy the ride. It's a fun one. I promise!
To Wong Foo, Thanks For Everything! Julie Newmar (Beeban Kidron, 1995) Snydersville is just a podunk, middle of nowhere town where nothing ever happens. But then, a car breaks down outside town stranding three drag queens there for a weekend. Naturally, the queens (played in hugely entertaining, go-for-broke star turns by Patrick Swayze, Wesley Snipes, and John Leguizamo) are afraid to reveal themselves as men after their initial appearance, but they make the most of a bad situation and confront the prejudice they see anyway. No, this movie isn't very good, but it is a whole lot of fun, and it's still amazing that stars as big as these three would take on these roles, and perform them so well.
The Dressmaker (Jocelyn Moorhouse, 2016) Myrtle "Tilly" Dunnage was driven out of her microscopic backwoods Australian town of Dungatar after an incident she barely remembers from her childhood that resulted in a young boy's death. Since then, she has become an internationally renowned dressmaker, and has returned to Dungatar to care for her ailing mother... and also for a spot of revenge. This super entertaining movie is just fabulous in the extreme. Kate Winslet vamps it up in some pretty amazing dresses as Tilly, Judy Davis is a hoot as her mother Molly, Liam Hemsworth is swoon-worthy as the love interest, and the entire ensemble (including Hugo Weaving and Sarah Snook) is game for anything... and they pretty much have to do everything. One of my favorite moviegoing experiences of last year, this could also fit in last week's category, which is why I had to pick it this week.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three films that fit the week's theme and writing a bit about them!
Lights, camera.... FASHION!
Yes, darlings, this week on Thursday Movie Picks we are going to that place where everyone is beautiful on the outside and usually ugly on the inside: The World of Fashion.
Fashion has always played a part in the movies - in the early days, there would often be a fashion show just inserted into the middle of the film for no reason at all other than to offer the audience something beautiful to look at. Since then, there have been many films that have taken place in the world of clothing designers, models, and photographers (and their long-suffering assistants). These are three of my favorites.
Funny Face (Stanley Donen, 1957) Think Pink! Say what you will, but Kay Thompson is the REAL star of the show here, despite my love for headliners Audrey Hepburn and Fred Astaire. Thompson is the publisher and editor of a fashion magazine, and Astaire a famous photographer. Wanting new models who can "think as well as they look", they go downtown to Greenwich Village and coerce intellectual Hepburn to model for them, with a trip to Paris as bait. Well, I mean, who WOULDN'T take them up on that offer?!? Audrey's go-go dance in the club is maybe my favorite thing she's ever done, and really all the musical numbers here are superb.
The First Monday in May (Andrew Rossi, 2016) Every year, on the first Monday in May, there is a Gala at the Metropolitan Museum of Art, for the new Costume Institute exhibition. The Met Ball, as it has become known, is one of the biggest events of the fashion world, and this is your insider's view into what goes into making it all happen. I'll admit: I had flashes of PTSD watching this, because a large part of my job for five years was planning the Gala for the theater company where I worked. That was stressful enough. THIS is on a WHOLE other level. That the film also sparks conversations on what is "art" and what is controversial, and what is beautiful, is just icing on the cake.
The Dressmaker (Jocelyn Moorhouse, 2016) The Fashion World Meets The Backwoods. Myrtle "Tilly" Dunnage was ran out of her backwoods Australian town years ago for something unspeakable. Somehow, she ended up becoming one of the world's foremost designers, and she has finally returned home, ready to win over the townsfolk who drove her out and cast her mother aside... WITH FASHION! So much of The Dressmaker is ridiculous, but it is one of my favorite movies of the year for how purely enjoyable it is. Kate Winslet is just fabulous beyond words as Tilly, Judy Davis is a hoot as her aging crone of a mother, and Liam Hemsworth has never been more swoon-worthy as the town hunk. And, of course, the fashions are just BEYOND.
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And, just in case you wondering, my picks for last week's Legal Thrillers theme would have been: The tense, forgotten Fracture, starring Ryan Gosling and Anthony Hopkins; and the Laura Linney double feature Primal Fear (with a never-better Richard Gere and tremendous debut from Ed Norton) and The Exorcism of Emily Rose (which is FAR smarter and better than it has any right to be).
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join us by picking three movies that fit the week's theme and posting something about them.
Teen angst, this week's topic for Thursday Movie Picks, may look different for everyone, but it pretty much feels the same. Feelings so big that you can barely express them to anyone, let alone yourself. And that's the common thread with my picks - they are all deeply, DEEPLY felt in all aspects of their production.
Rebel Without A Cause (Nicholas Ray, 1955) Has there been a better-filmed vision of teen angst than this one? James Dean's Jim Stark is what everyone remembers the film for (pretty tough to remember anything else in the movie when it practically opens with him drunkenly blaring "Ride of the Valkyries" and later slaying the line "YOU'RE TEARING ME APART!"), but Sal Mineo's Plato and especially Natalie Wood's Judy are even better visions of what it was like to be a misunderstood teenager in the 1950s, where suburban conformity and outward appearances meant everything. Nicholas Ray's florid direction sets the tone, and the entire cast responds in kind, performing on a near-operatic level that is totally appropriate given the emotions on display. There's a reason this one still resonates with teens now, 60 years(!!) later.
Heavenly Creatures (Peter Jackson, 1994) Based on the true story of two 1950s New Zealand girls who killed one of their mothers, Heavenly Creatures is a knockout of a film, one that came early in the careers of director Jackson and stars Kate Winslet and Melanie Lynskey, and that is very nearly the best work any of them have ever done. Like Rebel, this one puts its homosexual subtext only just barely beneath the surface, as it explores the close, nearly obsessive bond that forms between Pauline and Juliet, including the fantasy world they create... and what happens when their parents decide they are becoming too close. It's a stunning vision, with a completely unique tone that Jackson, along with his fantastic cast, perfectly balances on a knife's edge.
Donnie Darko (Richard Kelly, 2001) Has there ever been a character that looks more like contemporary teen angst than Jake Gyllenhaal's Donnie? Dark hair combed forward, with a haunted, far-away look in his eyes, this is turn-of-the-millennium teen angst incarnate. Kelly's film incorporates aspects of sci-fi and horror to give teen angst a physical presence in the form of Donnie's visions of an apocalyptic event and a man in a bunny suit. Donnie Darko is a weird, strange, unforgettable trip of a film.
