Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and writing a bit about them!
I had a hard time coming up with movies for this week's theme, nostalgia. I'm assuming we're talking movies ABOUT nostalgia, not movies that evoke a sense of nostalgia within us. Although even if it were the latter, I still might have trouble. But anyway, here's what I could come up with.
Peggy Sue Got Married (Francis Ford Coppola, 1986) Peggy Sue is pretty unhappy in her marriage, and at her high school reunion, she passes out and wakes up back in her senior year of high school. Is she really there? Is it a dream? Would she do anything differently? The major conflict of the film, beautifully acted by Kathleen Turner in the title role, is whether Peggy Sue's nostalgia will overcome her so much that she will make the same decisions and fall into old patterns, or if she will be bold and blaze a new path for herself. Viewing this movie now, I was somewhat unsatisfied with the ending, but upon reflection it's a bit more complicated than I initially gave it credit for. It probably doesn't help that Peggy Sue's beau is played by Nicolas Cage at his most grating (on purpose, but still). But the cinematography is gorgeous, and the cast is an embarrassment of riches: In addition to Turner, who is brilliant, there's Helen Hunt, Joan Allen, and Jim Carrey! Which brings us to...
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) Sometimes, you're not nostalgic for a time or place, so much as a person. The problem for Joel Barrish is that he realizes he's nostalgic for his ex-girlfriend Clementine while he's undergoing a procedure to have her erased from his memories. So he decides, along with the version of Clementine in his memories, to hide her. Charlie Kaufman's script is dazzling, and Michel Gondry's direction even more so, but the real draw here is the ensemble cast, especially the performances of Jim Carrey and Kate Winslet as Joel and Clementine. Carrey was never used better in a dramatic role, his expressive face getting quite the workout as Joel goes back into memories of being a small child. And Winslet's performance is even more mind-blowing when you realize that for most of the movie, she's not actually playing Clementine, but rather Joel's memory of her. It's an incredible film all around, probably the best film since the new millennium. Truly a work of staggering genius.
Midnight in Paris (Woody Allen, 2011) Owen Wilson is engaged to Rachel McAdams. The two of them are visiting Paris with her parents on a business trip. He's a writer, and is naturally taken with the historical city. But at midnight, when he's wandering about, he ends up in the 1920s, in the salons of some of the greatest artists of the 20th century. Will he try to stay in the earlier time period as he becomes more and more infatuated with it? I won't spoil that, but I absolutely will spoil some of the rogue's gallery of an ensemble, who are the true reason to see this lovely little film: Kathy Bates as Gertrude Stein, Adrien Brody as Salvador Dali, Tom Hiddleston and Allison Pill as the Fitzgeralds F. Scott and Zelda, Corey Stoll as Ernest Hemingway... Allen clearly had a blast writing for these characters, and the actors pay him back with all they've got. Unfortunately, the present day characters are pretty much insufferable. But that's not near enough to take the fizz out of this champagne cocktail of a movie.
