Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and writing a bit about them!
OH, technology! In so many ways it makes life easier. But at the same time, it makes it a lot easier for a lot of things to go very wrong all at once. Quite often, I think that we should pay closer attention to the bad representations of technology in the movies, because every day it feels like we're getting closer and closer to the technological dystopias of many a sci-fi future. SUCH AS...
The Matrix (Wachowskis, 1999) Thomas Anderson is a computer programmer by day, super-hacker named Neo by night. He is obsessed with finding the answer to one of the hacker underground's most mysterious questions: "What is the matrix?" One day, he finally finds out: The matrix is a virtual reality computer program that surrounds him and everyone he knows, making them think the world of 1999 is real. In reality, it is much farther in the future, and the world is controlled by machines we created, who grow humans to harvest them for their energy, keeping them plugged in to the matrix to keep them subdued. And if you needed the synopsis to know what this movie is about, then you must be VERY young and/or living under a rock for the past long while, because The Matrix is one of the key texts of popular culture of the new millennium. Personally, this movie means a lot to me: It was the first R-rated movie I saw in the theater. The ground-breaking special effects still hold up, and the film is still as exciting as it ever was. It's a modern classic.
Ex Machina (Alex Garland, 2015) Computer programmer Caleb wins a contest to have a week-long visit at the luxurious home of reclusive tech CEO Nathan Bateman. But when he gets there, he discovers he's not really there to relax and enjoy himself, but rather to help Nathan test his newest AI robot, Ava. Buoyed by incredibly strong performances by Oscar Isaac, Domnhall Gleason, and especially Alicia Vikander as Ava, Garland's talky screenplay teases out so many questions about artificial intelligence and the role technology plays in our daily lives, that it's almost mindblowing. It's never anything less than compelling, and constantly swerves away from where you think it's going to go. Just as the best sci-fi stories should.
Unfriended (Leo Gabriadze, 2015) Social media is a bitch. I am so glad it wasn't around when I was in high school. Because having to deal with anything like what happens in Unfriended would drive me insane. Basically, a group of friends get together online (via Skype) a year after one of their childhood friends committed suicide after a horrendously embarrassing video of her went viral. A mysterious, unknown individual ends up on their call somehow, and they can't get rid of them. And then the mystery entity starts taking revenge on each of the friends for their role in the suicide. And it's all seen from the perspective of one computer screen. This method makes the film surprisingly immersive (you can see internet history and file contents that fill in character background), but the nature of the story unfortunately means that not a single one of these characters are likable. Some of the jump scares do work pretty well, though.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. It's easy and fun to play along - just pick three movies that fit the week's theme and write a little something about them!
So.... you've all seen the trailer for Ocean's 8, right? It looks FLAMAZING, right?!?
Well, it's not one of my picks this week, but only because I figure lots of other people will pick it, and also because I would trust this one more if Soderbergh were directing.
ANYWAY, in addition to Ocean's 8 and Ready Player One (which I mentioned a few weeks back), these are probably my most anticipated movies opening next year.
Annihilation (Alex Garland) I mean, as if the next feature from the director of Ex Machina wasn't already gonna be near the top of my Must See list, this one is based on by what is by all accounts a pretty good book, has an outrageously amazing cast, and some really cool-looking special effects. And if all THAT wasn't enough, this trailer promises some shirtless Oscar Isaac. I am SO. THERE.
Death of Stalin (Armando Iannucci) Cruelly held back from American release until March 2018, this political satire is chock full of brilliant actors, but really, the star here is genius satirist Armando Iannucci. After In The Loop, The Thick of It, and Veep, I will follow him wherever he goes. Even if it may hit too close to home (hey, at this point, America will probably be a Russian outpost by 2018).
Widows (Steve McQueen) McQueen is kind of hit-or-miss with me, but.... THIS CAST. Academy Award Winner Viola Davis, Tony Award Winner Cynthia Erivo, Elizabeth Debicki, Michelle Rodriguez, Jacki Weaver, Carrie Coon, Liam Neeson, Colin Farrell, André Holland, Daniel Kaluuya, Robert Duvall, Jon Bernthal... what more could you ask for? How about a screenplay written by Gone Girl author Gillian Flynn, based off an 80s British TV series written by crime writer Lynda La Plante, about the widows of three criminals who conspire to recreate their husbands' last failed heist! I've been in the tank for this one practically since it was announced.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can participate yourself by picking three movies that fit the week's theme and telling us about them. It couldn't be easier!
Another drive-by week.... I got back to good ol' NYC late Monday night, and the big annual fundraising Gala at work is tonight! ACK! If only I was a robot, this would be a lot easier.
Which brings us to our theme this week! Here are three of my favorite androids/cyborgs.
Metropolis (Fritz Lang, 1927) This is THE ONE. The mother of all sci-fi movies. Evil Maria is a cyborg for the ages. Lang's endlessly inventive, template-setting masterpiece is still a marvel to behold.
Prometheus (Ridley Scott, 2008) Michael Fassbender's David8 is such an impressive characterization - just how sentient is David? What is he programmed to do and what traits has he acquired/developed over his existence? - that I long for the sequel only in hopes that he somehow survives. The rest of this Alien prequel is alternately fantastic and flawed.
Ex Machina (Alex Garland, 2015) Alicia Vikander won her Oscar (SHUT UP) for her incredible work as Ava, an android so believably human that when she puts clothes on over her chrome-and-wire body you would never know it, except for the slight stiffness in her movements. Alex Garland's film is one of the best of 2015, the thinking person's sci-fi (shoulda-been) blockbuster.
