Showing posts with label Lindsay Lohan. Show all posts
Showing posts with label Lindsay Lohan. Show all posts

Thursday, July 30, 2015

Thursday Movie Picks - All in the Family Edition: Twins

Written as part of the blogathon hosted by Wandering Through the Shelves. You should join us. We don't bite! Just pick three films that fit the week's theme and tell us about them. It really couldn't be easier... well, maybe not this week...

For this month's All In The Family edition of Thursday Movie Picks, the Wanderer has asked us to come up with three movies focusing on twins. Twins.

Twins?

Couldn't this have been around April Fool's Day so I could just choose three Olsen twin films and call it a day? Because this one is REALLY difficult. But never fear! For when I have a task in front of me, I simply must complete it. And complete this week's task I did!

The Parent Trap (Nancy Meyers, 1998) Oh, Lindsay. Where did it all go wrong? You started off so promisingly here, believably adopting a British accent and speaking in French and acting so winningly and natural that it was easy to imagine the star you would one day become. But unfortunately you succumbed to every single one of the "child star gone bad" clichés. Please just talk with Drew Barrymore and figure out how to get out of this funk and get your mojo back! Because sure Natasha Richardson and Dennis Quaid are lovely as your parents in this, but it's really your tiny little shoulders on which the film rests, and despite the film being too long you carry it as ably as Hayley Mills did the original. And that's no mean feat!

3 Women (Robert Altman, 1977) Okay, so this film isn't really ABOUT the twins, but they are very important supporting characters. "We don't like the twins," says Shelley Duvall's immortal Millie (née Mildred) Lammoreaux. And then Sissy Spacek's Pinky (née Mildred) Rose wonders what it must be like to be a twin, and even tries it on for size for a bit, walking in perfect step with them (in my Best Shot for the film). And then later, after hitting her head, Pinky starts to take on Millie's identity, and things get kind of weird. Three Women is an utterly unique film, one of the best of the 70s.

Adaptation. (Spike Jonze, 2002) Say what you will about Nicolas Cage, but the man is an Oscar winner for a reason, and he is damn inspired here as actual real-life writer Charlie Kaufman, tasked with adapting Susan Orlean (Meryl Streep)'s book The Orchid Thief into a film, and his fictional brother Donald, whom Charlie calls for help when he realizes the book simply can't be turned into any kind of conventional film. And if that sounds too crazy-meta for you, consider this: the film's screenplay is credited to Charlie and David Kaufman, mirroring the film, and both the HFPA and AMPAS nominated both Charlie and Donald Kaufman for "their" screenplay for this film, despite the fact that Donald Kaufman is a fictional character. This may be the most kookily inspired both Cage and Kaufman have ever been. And Meryl Streep, for that matter.

BONUS PICK:
Original Star Wars Trilogy (1977-1983) Luke and Leia are twins. LUKE AND LEIA ARE TWINS. This is the greatest twincest that never was. And that's all I have to say about that.

Tuesday, April 29, 2014

Hit Me With Your Best Shot - Mean Girls

I liked high school.

I did.

I didn't love it or anything, but it was generally an agreeable time of my life, when I wasn't stressing over GPAs and SAT scores. See, my high school was the largest in the state of Connecticut, and at one point while I was a student there, our ethnic make-up mirrored that of the United States exactly - it was literally a microcosm of the world we lived in. I had my group of friends, and all of us were able to go through our day without being bothered by bullies - the bullies being too busy hanging with their friends and/or getting into gang fights (on and off school grounds) to bother with us.



I was one of those kids who always genuinely liked going to school, which made me extremely uncool for a long period of my youth, but in high school, all of my classes were with kids who also liked school, or at least who took it seriously, so I was good. I was never popular, but I did the annual school musical, was in the band for one year, and was also on the mock trial team, the literary magazine, and the yearbook staff (I was Editor-in-Chief my senior year - which means absolutely nothing now but I still love to brag about it), so I knew a lot of people who mostly seemed to like me. Oh, I'm sure some people said mean things behind my back, because I was that type of kid, but all the mean girls and boys were too focused on other things to waste time taunting me to my face.

While I liked The Breakfast Club and Heathers and Clueless as much as anyone else, but I never felt like any of those movies really got what high school was to me. And when Mean Girls came out in 2004, when I was in college, I was expecting another Hollywood High School Movie. One that didn't match my experience of high school at all. I did not expect it to hit home, but the first half of it did. BIG TIME. And not in the way I expected.

Because, you see, middle school?

Middle school, for me, was AWFUL.

And the worst part of middle school was lunch. I didn't really have friends in middle school, so on the all-important first day of each year, I would always try to be among the first in the cafeteria so I could stake a claim to a table and not be subjected to the awful, awful sensation of standing all alone and asking people who either didn't like me or whom I didn't know if I could sit with them - and then have the possibility of being rejected, not just for that day, but for an entire year.

It was THE WORST.

But, a few months into every year, a sort of reprieve would come. In sixth grade I was accepted into our middle school's steel drum band. (What, your school didn't have one?) Since it was an after-school thing, the band director would allow us to get the key to the steel drum room (what, your school didn't have one?) so we could practice during our lunch period. I liked it in the steel drum room. It was big and quiet, and I could do pretty much whatever I liked. But mostly, I liked it because I didn't have to be around other people who might tease me for forty-five minutes, or interact with people for long periods of time when all I wanted to do was read. I could be by myself and eat my lunch in peace. Sometimes, those were my favorite lunch periods in middle school. Other times, they were the worst, because it just reinforced my feelings as a loser who was all alone and had no friends.

So imagine my shock when in the first reel of Mean Girls, Lindsay Lohan can't find a place to sit in the cafeteria, and instead eats lunch in a bathroom stall.

This has always been my favorite part of Mean Girls, moreso than the incredible, iconic comic lines and performances, because I so get what that feels like. But what's even better than that first scene, is this later one, my pick for Best Shot, which has actually accrued more meaning over time as we've watched what has happened to the actress it contains:


Cady was popular, until she wasn't. And all the pretty clothes, hair products, and makeup in the world couldn't cover up the fact that she was still "Africa" - the girl who had been raised and educated by her parents in a non-social setting. And so when everyone has turned on her, where does she go to eat lunch? Back to the bathroom stall. It's crushing. And the shot is perfectly designed. between the blue walls and the blue lunch tray, Cady is almost completely boxed in. Add in the blues in her shirt and it makes an already cramped space downright claustrophobic. And Lindsay, at the peak of her talents, lets out the most perfect sigh - she is scared, sad, lonely, nauseous... and maybe even a tiny bit relieved.

It used to be that Lindsay was too cool for us - we couldn't sit with her. But now, in one of those weird twists of schadenfreude that seemingly only happens to female former child stars, she's the one who can't sit with us. Looking at Lindsay now, I bet that at her best, most insightful moment (which I admit might not ever occur), she would also pick this as the Best Shot in Mean Girls. She might even look at this shot and feel the same way I do - that it speaks to that awkward, lonely teenager inside us better than any other moment of any other Hollywood High School film.