Showing posts with label high school. Show all posts
Showing posts with label high school. Show all posts

Thursday, June 30, 2016

Thursday Movie Picks - High School Reunion

Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can take part, too! Just pick three movies that fit the week's theme and say a little bit about them. It couldn't be easier!

If there is anything worse than high school, it's high school reunions. My ten-year one was four years ago now, and I didn't go. Everyone who I wanted to see, I was either still in contact with through Facebook (thank God for Facebook!) or saw semi-regularly anyway. So I didn't feel the need to spend money to eat catered food in the place we had our Senior Prom and stand around looking at other people I barely remembered making small talk about our lives.

Not that all high school reunions are bad! My mother still fondly remembers the first reunion she went to where she realized all the cheerleaders who made her life hell in high school, and had married their jock boyfriends, had not only peaked in high school, but were basically still living it. And had gotten fat.

Perhaps it's due to my ambivalence towards these types of events that I haven't seen enough movies about them to fill out the full three picks this week. I mean, I know of plenty of others - Peggy Sue Got Married, 10 Years, Romy & Michele's High School Reunion - but I haven't actually seen them. And that's kind of a rule I set for myself with these things: I have to have seen the movie in order to pick it. So I only have two this week. Here goes nothing.

Veronica Mars (Rob Thomas, 2014) Yes, this is the movie that kickstarted (SEE WHAT I DID THERE?!?) the craze of using Kickstarter to fund movie projects. No, it's not great. And no, I don't particularly care. As a huge fan of the canceled-too-soon TV show about a whip-smart teenage outcast/private eye (Kristen Bell) and her former Sheriff/current private investigator father (Enrico Colantoni) living in a deeply divided California town, this movie was like catnip to me, and delivered just about everything I wanted from a Veronica Mars movie. Snappy dialogue, noir-ish murder mystery plot, and smart commentary about the intersection of race/class and privilege. After moving as far away as possible from the town that caused her so much heartbreak, soon-to-be lawyer Veronica comes back to her hometown of Neptune, CA after a call from her ex-boyfriend asking for her help exonerating him from a murder charge. And it just so happens that her high school reunion is taking place at the same time. What's a girl trying to get on the straight and narrow to do? Yes, there's a bit of a bar to clear if you didn't watch the show, but I have to think that most of it would still be enjoyable anyway.

Grosse Pointe Blank (George Armitage, 1997) One of the best films of the '90s, Grosse Pointe Blank tells the story of one Martin Blank, a professional assassin whose most recent job is to kill someone in his hometown. And it just so happens that his ten year high school reunion is taking place at the same time! And it ALSO just so happens that the man he's been hired to kill is the father of the girl he still has a crush on from high school. Ironic detachment has rarely been done better than this movie, and while it's definitely a product of its time, the great performances from John Cusack, Minnie Driver, Dan Aykroyd, and Joan Cusack (among others) keep it feeling fresh, and the zippy pace makes the film just fly by. This is a really fun one if you haven't seen it.

...and that's it for me this week, folks! I got nothin' else!

Thursday, June 23, 2016

Thursday Movie Picks - School Competition

Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can play along by picking three movies that fit the week's theme and saying a little something about them.

Ah, school competitions. Whether it's music, recitations, or science projects, they are a hotbed of young talent. Sometimes. Other times, you just have to sit back and wonder at the state of the education system that these untalented, awkward youths before you are the very best the modern world has to offer. Usually while laughing and shaking your head.

HOWEVER! There is only one school competition I really care about: The National Spelling Bee. When I was in elementary school, I wanted to win the Spelling Bee SO. BAD. I actually got pretty close, considering I wasn't one of those kids who spent all their free time studying a dictionary (I made it to the final ten of my regional competition one year). I still watch the bee every year, and usually cover the area of the screen where the word it so I can "compete" alongside our nation's youngest and brightest spellers. It's fun. And these movies are pretty fun, too.

Spellbound (Jeffrey Blitz, 2002) The movie that basically made the National Spelling Bee a must-watch for millions of people, this documentary is pretty basic but very well done. Like my beloved Mad Hot Ballroom (which came later), it looks at America through the prism of the students competing, showing how cultural differences not just across socioeconomic lines but across cultural heritage determine How We Live in the US. And it shows just how much of a pressure cooker it really is up on the national stage, in the ridiculously suspenseful competition sequences.

Akeelah and the Bee (Dough Atchison, 2006) Ladies and gentlemen, witness the birth of a STAR. Keke Palmer is the heart and soul of this movie, carrying it all on her tiny little shoulders with the confidence and poise of actors decades older than she. Sure, it helps that she has Laurence Fishburne and Angela Bassett as scene partners, but most of it is just her. As a smart girl from a poor community who falls into her talent as a speller, Palmer is impossibly assured and incredibly winning, somehow avoiding nearly all the usual child actor traps. The movie is one of the few that embraces its status as a "feel-good movie", but always leavens those qualities with a tough, lived-in sense of grit.

Bad Words (Jason Bateman, 2014) ...and now, for something completely different! This movie is incredibly, possibly irredeemably stupid, but I'm not gonna lie: I laughed my ass off. Jason Bateman plays an irascible middle-aged man on a mission: To win the National Spelling Bee for reasons unknown. Along the way, he meets a young Indian boy who worms his way into his stone cold heart, and takes the kid under his wing, teaching him the value of breaking a rule or two every once in a while. Look. I'm not saying this is great cinema, and the ending is a total flub, but if profanity used by or around children makes you laugh for almost no good reason (GUILTY), then you'll enjoy this.

BONUS:
Sister Act 2: Back in the Habit (Bill Duke, 1993) How do you improve on the Whoopi Goldberg vehicle Sister Act? Add some talented singing kids, that's how. especially if one of those kids is the prodigiously talented Lauryn Hill. Sister Mary Clarence has gone back to the life of a headliner, but the nuns she bailed out last time now need her help to save their school. So she does the EXACT SAME THING SHE DID LAST TIME (create a choir to win a competition), except now with kids. The supporting cast of nuns remains a riot (Mary Wickes! Kathy Najimy! Dame Maggie Smith!), and the kids are game, if perhaps a little too stereotypically "urban". If you're not impressed by their singing in this, then I just don't know how to help you.

Tuesday, April 29, 2014

Hit Me With Your Best Shot - Mean Girls

I liked high school.

I did.

I didn't love it or anything, but it was generally an agreeable time of my life, when I wasn't stressing over GPAs and SAT scores. See, my high school was the largest in the state of Connecticut, and at one point while I was a student there, our ethnic make-up mirrored that of the United States exactly - it was literally a microcosm of the world we lived in. I had my group of friends, and all of us were able to go through our day without being bothered by bullies - the bullies being too busy hanging with their friends and/or getting into gang fights (on and off school grounds) to bother with us.



I was one of those kids who always genuinely liked going to school, which made me extremely uncool for a long period of my youth, but in high school, all of my classes were with kids who also liked school, or at least who took it seriously, so I was good. I was never popular, but I did the annual school musical, was in the band for one year, and was also on the mock trial team, the literary magazine, and the yearbook staff (I was Editor-in-Chief my senior year - which means absolutely nothing now but I still love to brag about it), so I knew a lot of people who mostly seemed to like me. Oh, I'm sure some people said mean things behind my back, because I was that type of kid, but all the mean girls and boys were too focused on other things to waste time taunting me to my face.

While I liked The Breakfast Club and Heathers and Clueless as much as anyone else, but I never felt like any of those movies really got what high school was to me. And when Mean Girls came out in 2004, when I was in college, I was expecting another Hollywood High School Movie. One that didn't match my experience of high school at all. I did not expect it to hit home, but the first half of it did. BIG TIME. And not in the way I expected.

Because, you see, middle school?

Middle school, for me, was AWFUL.

And the worst part of middle school was lunch. I didn't really have friends in middle school, so on the all-important first day of each year, I would always try to be among the first in the cafeteria so I could stake a claim to a table and not be subjected to the awful, awful sensation of standing all alone and asking people who either didn't like me or whom I didn't know if I could sit with them - and then have the possibility of being rejected, not just for that day, but for an entire year.

It was THE WORST.

But, a few months into every year, a sort of reprieve would come. In sixth grade I was accepted into our middle school's steel drum band. (What, your school didn't have one?) Since it was an after-school thing, the band director would allow us to get the key to the steel drum room (what, your school didn't have one?) so we could practice during our lunch period. I liked it in the steel drum room. It was big and quiet, and I could do pretty much whatever I liked. But mostly, I liked it because I didn't have to be around other people who might tease me for forty-five minutes, or interact with people for long periods of time when all I wanted to do was read. I could be by myself and eat my lunch in peace. Sometimes, those were my favorite lunch periods in middle school. Other times, they were the worst, because it just reinforced my feelings as a loser who was all alone and had no friends.

So imagine my shock when in the first reel of Mean Girls, Lindsay Lohan can't find a place to sit in the cafeteria, and instead eats lunch in a bathroom stall.

This has always been my favorite part of Mean Girls, moreso than the incredible, iconic comic lines and performances, because I so get what that feels like. But what's even better than that first scene, is this later one, my pick for Best Shot, which has actually accrued more meaning over time as we've watched what has happened to the actress it contains:


Cady was popular, until she wasn't. And all the pretty clothes, hair products, and makeup in the world couldn't cover up the fact that she was still "Africa" - the girl who had been raised and educated by her parents in a non-social setting. And so when everyone has turned on her, where does she go to eat lunch? Back to the bathroom stall. It's crushing. And the shot is perfectly designed. between the blue walls and the blue lunch tray, Cady is almost completely boxed in. Add in the blues in her shirt and it makes an already cramped space downright claustrophobic. And Lindsay, at the peak of her talents, lets out the most perfect sigh - she is scared, sad, lonely, nauseous... and maybe even a tiny bit relieved.

It used to be that Lindsay was too cool for us - we couldn't sit with her. But now, in one of those weird twists of schadenfreude that seemingly only happens to female former child stars, she's the one who can't sit with us. Looking at Lindsay now, I bet that at her best, most insightful moment (which I admit might not ever occur), she would also pick this as the Best Shot in Mean Girls. She might even look at this shot and feel the same way I do - that it speaks to that awkward, lonely teenager inside us better than any other moment of any other Hollywood High School film.