Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies that fit the week's theme and telling us a bit about them!
LET'S DO THIS (extra-terrestrial) THING!
(Sorry, I just finished a brain-dump list of the funniest films EVER, so I just want to get right to the point!)
Alien (Ridley Scott, 1979)The grand-daddy of all alien movies, Ridley Scott's masterpiece starts out like a sci-fi film, but ends up being a killer haunted house flick, with the spaceship standing in for the house as a mysterious, flesh-hungry alien gets loose and starts picking off the crew members one by one. Every performance is memorable (Veronica Cartwright! Tom Skerritt! Ian Holm!), but movie characters don't come more iconic than Sigourney Weaver's "final girl" Ripley.
Galaxy Quest (Dean Parisot, 1999) What if satellite transmissions of Star Trek somehow made it into space to a not-particularly-intelligent alien race looking to be rescued from persecution? That's the question posed by Galaxy Quest, a definite contender for funniest film of the '90s. The answer? They come to Earth, kidnap the actors responsible for the iconic characters, and force them to man the ship and save their species in one last final episode of the show. Except that now, the show is real! I can't believe how perfectly cast this thing is: Tim Allen as the womanizing ship commander, Sigourney Weaver as the sexy (lone) female, Alan Rickman as the British "real thespian"/emotionless alien doctor, Tony Shalhoub as the nervous chief engineer, and Sam Rockwell as a "red shirt" (you know, one of those nameless, disposable extras who maybe had one line before they got unceremoniously killed off in their one episode gig). And then the brilliant Enrico Colantoni, Missi Pyle, and Rainn Wilson as the aliens. Plus, Justin Long as the ultimate fanboy. Galaxy Quest is a blast - even if you're not a Trekkie (I'm not)!
Lilo & Stitch (Dean DeBlois & Chris Sanders, 2002) I make no bones about it: Stitch may just be my favorite Disney character. An alien science experiment hellbent on destruction gone rogue and pseudo-domesticated by a sweet little Hawaiian girl named Lilo, Stitch is just the cutest little agent of chaos you've ever seen. The film around him follows suit, ending up as easily the best of Disney's rather fallow output between the "Golden Age" of the '90s and the new computer-animated hits that have come in recent years.
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. You can participate yourself by picking three movies that fit the week's theme and telling us about them. It couldn't be easier!
Another drive-by week.... I got back to good ol' NYC late Monday night, and the big annual fundraising Gala at work is tonight! ACK! If only I was a robot, this would be a lot easier.
Which brings us to our theme this week! Here are three of my favorite androids/cyborgs.
Metropolis (Fritz Lang, 1927) This is THE ONE. The mother of all sci-fi movies. Evil Maria is a cyborg for the ages. Lang's endlessly inventive, template-setting masterpiece is still a marvel to behold.
Prometheus (Ridley Scott, 2008) Michael Fassbender's David8 is such an impressive characterization - just how sentient is David? What is he programmed to do and what traits has he acquired/developed over his existence? - that I long for the sequel only in hopes that he somehow survives. The rest of this Alien prequel is alternately fantastic and flawed.
Ex Machina (Alex Garland, 2015) Alicia Vikander won her Oscar (SHUT UP) for her incredible work as Ava, an android so believably human that when she puts clothes on over her chrome-and-wire body you would never know it, except for the slight stiffness in her movements. Alex Garland's film is one of the best of 2015, the thinking person's sci-fi (shoulda-been) blockbuster.