Sometimes, especially when dealing with a series of books, it makes more sense to adapt a book to TV than to a movie. The extra space gives the story the same room to breathe as it has in a book, and the episodic nature of TV mirrors that chapter structure of most books. And so, herewith, are two great adaptations and one terrible one, for contrast.
Showing posts with label Younger. Show all posts
Showing posts with label Younger. Show all posts
Thursday, February 28, 2019
Thursday Movie Picks - Television Edition: Book to TV Adaptations
Written as part of the weekly blogathon hosted by Wandering Through the Shelves. Join in the fun by picking three movies (or, on the last week of the month, TV shows) that fit the week's theme and writing a bit about them!
Sometimes, especially when dealing with a series of books, it makes more sense to adapt a book to TV than to a movie. The extra space gives the story the same room to breathe as it has in a book, and the episodic nature of TV mirrors that chapter structure of most books. And so, herewith, are two great adaptations and one terrible one, for contrast.
Game of Thrones (2011-present) OHMYGOD YOU GUYS THE FINAL EPISODES START IN JUST OVER A MONTH AND IT'S GOING TO BE OVER SOON AND WHAT WILL WE ALL DO WITH OURSELVES?!?!?!? In case you've been living under a rock for the past eight years, Game of Thrones is based on George R.R. Martin's fantasy series A Song of Ice and Fire, detailing the events of the fictional country of Westeros, where seasons can last for many years, in the wake of the death of the King's advisor. The novels still aren't finished, meaning that for the past... three seasons or so, I think... creators David Benioff and D.B. Weiss have been working off an outline of events Martin gave to them. Some say that the series has gone down in quality of writing since then, and while I generally agree, I don't think the drop-off is as bad as they have said. Basically, Game of Thrones on a bad day is better than most other shows on a good day. The epic sweep of its stories, and its reckoning with storytelling conventions we have come to expect from stories like this, is unlike anything we have ever seen on TV, and it's downright stunning.
Younger (2015-present) Liza Miller has just turned 40, and has recently gotten divorced. Since her lout of a gambling-addict husband lost their savings and their house, she has to find a way to support herself, and her daughter's college education. So she moves to Brooklyn with her artist friend Maggie and starts hunting for jobs in publishing, as that's what she did before having her daughter. But twenty years out of the job market has put her right on the bottom, and no one wants to hire a 40 year-old intern or assistant. But after a smoking hot 26 year-old tattoo artist mistakes her for a fellow 26 year-old, she gets a brilliant idea. She lies about her age, and lo and behold, she gets a job as an assistant to chunky jewelry enthusiast Diana Trout at Empirical Press. If you can get past the absurdity of its premise, Younger is a fun show to watch, even addicting. Sutton Foster is a ray of sunshine as Liza, and Hilary Duff, of all people, is great as Kelsea, her ambitious young co-worker and new friend. The entire cast is fantastic, and the show is a well-appointed Sex and the City-style fantasy of New York life. The whole series is on Hulu, and you can easily binge it all in almost no time.
The Magicians (2015-present) Quentin Coldwater and his best friend Julia Wicker are a bit adrift in the end of their college days. Until, that is, they both end up taking an entrance exam at the mysterious Brakebills University for Magical Pedagogy. Quentin, a lifelong fanboy of the fantasy series Fillory and Further, gets in. Julia does not. The show follows their respective journeys as an official and unofficial student of magic, respectively. I was a HUGE fan of Lev Grossman's trilogy of novels, a sort of American version of Harry Potter where Hogwarts was college instead of boarding school, thus making the stakes much higher. But the show made a large number of changes to the novels that were unnecessary and much to the story's detriment. Most damningly, while the books are a deconstruction of the "chosen one" narrative, the series fully embraces it. I hate-watched the first season before coming to the conclusion that there are just not enough hours in the day to spend time on something I hate. But really, this show is a mess, and the things that made the novels interesting and exciting are so dulled that it has almost no value.
Sometimes, especially when dealing with a series of books, it makes more sense to adapt a book to TV than to a movie. The extra space gives the story the same room to breathe as it has in a book, and the episodic nature of TV mirrors that chapter structure of most books. And so, herewith, are two great adaptations and one terrible one, for contrast.
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